What a page-turner! This is a novel about growing up (childhood), letting go (of the past and of loved ones), and belonging in a lonely world. I loved it from the beginning to the end. ( )

I loved this--such an incredible work of 'show, not tell'

The dilemmas the characters faced, their relationships, and their thoughts on what has happened to them, all wrapped up in flowing writing. ( )

Stunning!!! Read this if you liked The Waves by Virginia Woolf. ( )

I was totally and completely spoiled about this book (stupid movie previews), but that didn't prevent it from being one of the best books I've ever read.

At first, I wasn't sure how I felt about the narrative voice. Kath, the narrator, relays her story in a roughly chronological order, with many tangents and anecdotes. But over time, it builds on itself and becomes the poignant reflections of someone who is facing her own mortality and has also lost everyone and every place that meant anything to her living through her memories. There are several times that Kath reflects on situations that, despite the sadness or finality, took on a closeness and levity that is only possible in the types of friendships where you can simply have wandering conversations about anything. It is clear that Kath is speaking to a reader who is that kind of friend.

The larger plot is fascinating -- Ishiguro has several things to say about mortality, what we are willing to compromise (ethically) to further ourselves, the difference between faith and curiousity, and what it means to be a person and to be a part of the human condition. That, in and of itself was worth reading, but the book truly shines by being about a sincere depiction of one woman's life and personality within this larger world. You end up caring at least as much about Kath, Ruth and Tommy and their arguments, cassette tapes and classes as the big picture.

It is on the relationship level that Ishiguro shines. The friendships are intricate, completely necessary for the characters and extremely complex. Each character has their own flaws and deals (and doesn't deal) with them in various ways as they come of age. ( )

Closer to 3.5 because of the complexity of the story related in simple language that reveals a narrative folding and unfolding in haunting first person stream-of-consciousness. In the moment, something about the style of Ishiguro's writing seems easy, almost nonchalant, but on reflection it proves thoughtfully controlled and carefully paced. ( )