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The Lovely Bones (2002)

by Alice Sebold

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingMentions
35,02493367 (3.7)693
This is the tale of family, memory, love, and living told by 14-year-old Susie Salmon, who is already in heaven. Through the voice of a precocious teenage girl, Susie relates the awful events of her death and builds out of her family's grief a hopeful and joyful story.
  1. 61
    Speak by Laurie Halse Anderson (Maiasaura)
  2. 84
    The Secret Life of Bees by Sue Monk Kidd (leahsimone)
  3. 20
    The Little Friend by Donna Tartt (KayCliff)
    KayCliff: Both books display the effects on a family of the murder of a child.
  4. 53
    White Oleander by Janet Fitch (leahsimone)
  5. 10
    The Invisible by Mats Wahl (Litrvixen)
    Litrvixen: Both are about ghosts observing the investigations into their own deaths.
  6. 21
    The Deep End of the Ocean by Jacquelyn Mitchard (WildMaggie)
  7. 11
    The Age of Miracles by Karen Thompson Walker (BookshelfMonstrosity)
    BookshelfMonstrosity: Despite differences in plot -- a teenager's post-murder afterlife in The Lovely Bones, and civilization's slow, steady collapse in the aftermath of disaster in The Age of Miracles -- the thoughtful young heroines of these melancholy, haunting stories are similar to one another.… (more)
  8. 00
    Unstolen by Wendy Jean (lucyknows)
    lucyknows: The Lovely Bones by Alice Sebold may be paired withUnstolen by Wendy Jean. Both novels deal with death and crime and how it affects the families left behind
  9. 11
    Before I Fall by Lauren Oliver (Jen7waters)
  10. 11
    The Book of Fred by Abby Bardi (Bookmarque)
    Bookmarque: Not as sentimental as this. A very good coming of age novel.
  11. 33
    The Five People You Meet in Heaven by Mitch Albom (Headinherbooks_27)
  12. 00
    Shade by Neil Jordan (ShelfMonkey)
  13. 11
    Elsewhere by Gabrielle Zevin (jbarry)
  14. 00
    The September Sisters by Jillian Cantor (meggyweg)
  15. 01
    La mirada del otro by Fernando G Delgado (albavirtualy)
  16. 01
    A Map of the World by Jane Hamilton (TheFlamingoReads)
    TheFlamingoReads: A melancholy story of how people deal with the death of a child.
  17. 12
    The Mercy of Thin Air by Ronlyn Domingue (cataylor)
    cataylor: Story is told by a character from the afterlife
  18. 01
    Lark by Tracey Porter (kaledrina)
  19. 01
    La fortuna de Matilda Turpin by Álvaro Pombo (albavirtualy)
  20. 23
    Atonement by Ian McEwan (RocknRain)

(see all 28 recommendations)

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» See also 693 mentions

Showing 1-5 of 904 (next | show all)
4 stars. The beginning is a brutal and horrifying but there are some amazing parts throughout. There are so many emotions and so many ways people deal with grief, a lot of which a really well woven together throughout this story. ( )
  Fatula | Sep 25, 2023 |
Month of August 2022 - Trendy Novels

This story is told from the point of view of 14 year old Susie Salmon, who was raped and murdered. She was stuck in an in-between Heavenly world. Her guide told her she would pass into the higher Heavens when she could stop asking why her instead of someone else, or wondering what everyone else was feeling because of losing her, and stop investigating this vacuum left by her loss. (p. 120). She has to give up on earth. This point right here COULD be how we experience death, at least until Jesus comes for his people right before the Rapture. You don’t know, and I don’t know because we are not there. The fact is, you die and your spirit is somewhere until Jesus comes and, the Bible does say He raises the dead first.

1 Thessalonians chapter 4:16:

“For the Lord himself, with a cry of command, with the archangel's call and with the sound of God's trumpet, will descend from heaven, and the dead in Christ will rise first.”

But, Susie doesn’t. She’s obsessed with what she missed on earth, and that was Ray Singh. Her first kiss before her neighbor, George Harvey, her rapist and murderer, enticed her into his little dungeon.

Susie watches her family and friends for eight and a half years after her death as they learn to maneuver through life without her. She has an opportunity to return to earth for one night, into Ruth’s body, who was Ray’s friend, to finish what they started. Strange…because Susie is still only 14 and Ray is now 22 years old.

Keep in mind that this writing is purely “creative” writing and doesn’t necessarily reflect real heaven. It started out pretty interesting, then completely fell flat for me. The story centered around the things she missed on earth and not the killer. It seemed patchy, jumping from one memory to another. I was simply bored with the story…the reason for the two stars. The ending also fell flat for me.

—————————-
#69 on the 2018 PBS Great 100 American Read Challenge, which I have been slowly working on and marking off:

https://www.listchallenges.com/pbs-great-american-read-2018 ( )
  MissysBookshelf | Aug 27, 2023 |
While unique in concept, there are so many things that bothered me about this book, I hardly know where to start.

First and foremost, while Sebold achieved great commercial success with this freshman novel, it still reads as a freshman novel. The schtick is clearly the only part of the book thought through and exists to cover the lack of other literary elements.

The first person, omnipresent narrative is clunky and not well explained (if the narrator knows what people are thinking show her figuring out that she knows!) and leads to a very much told, rather than shown, storyline.

The historical setting is both unnecessary and goes unmentioned for several hundred pages, so when reminded 200 pages in that the date is 1977, it is very confusing.

There are a plethora of characters, all of whom seem minor, since not enough time is spent on any for them to be more of a cliche.

The pacing is deplorable -- several years will pass over the course of two pages and then 50 pages will be spent on a single day or two, with the years that pass without mention covering such important events as everyone coming to believe the main character's father on the identity of the killer, while the time that we focus on covers the sexual explorations of the main character's little sister. The payload of the book, as it were, comes in the last 20 pages, with no harbinger and no evidence that this was the intended ending.

The intended audience is also unclear. The writing style is clearly too juvenile for a larger adult/older teen audience, and the literary foibles are difficult to overlook, even for the audience of adults/older teens who read young adult fiction. At the same time, the focus on the book being rape and murder and several explicit sexual passages make this book at best uncomfortable reading for young teens. ( )
  settingshadow | Aug 19, 2023 |
I read this for a bookclub, and frankly the discussions that came from it were better than the book itself. This book did raise a tantalizing question I had never thought to ask: what does heaven smell like? ( )
  blueskygreentrees | Jul 30, 2023 |
As cheeseball as the premise is, I adored this story. (I am nervous about what the movie will be like...probably horrible.) ( )
  Andy5185 | Jul 9, 2023 |
Showing 1-5 of 904 (next | show all)
Sebold's compelling and sometimes poetic prose style and unsparing vision transform Susie's tragedy into an ultimately rewarding novel.
added by bell7 | editLibrary Journal (Aug 25, 2009)
 
Although some sections tend toward melodrama... other passages are dreamy and lyrical. Most striking is Sebold's mastery of a teenager's voice, from such small details as Susie's Strawberry-Banana Kissing Potion to her completely believable thought processes.
 
An extraordinary, almost-successful debut that treats sensational material with literary grace, narrated from heaven by the victim of a serial killer and pedophile.
added by bell7 | editKirkus Reviews (Aug 1, 2002)
 
Don't start "Lovely Bones" unless you can finish it. The book begins with more horror than you could imagine, but closes with more beauty than you could hope for.
 
Sebold takes an enormous risk in her wonderfully strange début novel: her narrator, Susie Salmon, is dead—murdered at the age of fourteen by a disturbed neighbor—and speaks from the vantage of Heaven. Such is the author's skill that from the first page this premise seems utterly believable... If in the end she reaches too far, the book remains a stunning achievement.
added by Shortride | editThe New Yorker (Jul 15, 2002)
 

» Add other authors (11 possible)

Author nameRoleType of authorWork?Status
Alice Seboldprimary authorall editionscalculated
Bresnahan, AlyssaNarratorsecondary authorsome editionsconfirmed

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Always, Glen
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My name was Salmon, like the fish; first name, Susie.
Inside the snow globe on my father's desk, there was a penguin wearing a red-and-white-striped scarf.
Quotations
These were the lovely bones that had grown around my absence: the connections—sometimes tenuous, sometimes made at great cost, but often magnificent—that happened after I was gone. And I began to see things in a way that let me hold the world without me in it. The events my death brought were primarily that the bones of a body that would become whole at some unpredictable time in the future. The price of what I came to see as this miraculous lifeless body had been my life.
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This is the tale of family, memory, love, and living told by 14-year-old Susie Salmon, who is already in heaven. Through the voice of a precocious teenage girl, Susie relates the awful events of her death and builds out of her family's grief a hopeful and joyful story.

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The Lovely Bones is a moving exploration of loss and mourning that ultimately puts its faith in the living made even more powerful by a cast of convincing characters.
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Average: (3.7)
0.5 32
1 351
1.5 52
2 843
2.5 177
3 2588
3.5 509
4 3914
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5 2549

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Hachette Book Group

8 editions of this book were published by Hachette Book Group.

Editions: 0316168815, 0316666343, 0316166685, 1600240682, 0316001821, 0316044407, 0316044938, 160024842X

 

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