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Fahrenheit 451 (1953)

by Ray Bradbury

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingConversations / Mentions
51,80498321 (4.02)2 / 1394
Fiction. Science Fiction & Fantasy. HTML:

The system was simple. Everyone understood it. Books were for burning, along with the houses in which they were hidden.

Guy Montag was a fireman whose job it was to start fires. And he enjoyed his job. He had been a fireman for ten years, and he had never questioned the pleasure of the midnight runs or the joy of watching pages consumed by flames, never questioned anything until he met a seventeen-year-old girl who told him of a past when people were not afraid. Then Guy met a professor who told him of a future in which people could think. And Guy Montag suddenly realized what he had to do.

.… (more)
  1. 1023
    1984 by George Orwell (readafew, Booksloth, rosylibrarian, moietmoi, hpfilho, BookshelfMonstrosity)
    readafew: Both books are about keeping the people in control and ignorant.
    BookshelfMonstrosity: A man's romance-inspired defiance of menacing, repressive governments in bleak futures are the themes of these compelling novels. Control of language and monitors that both broadcast to and spy on people are key motifs. Both are dramatic, haunting, and thought-provoking.… (more)
  2. 762
    Brave New World by Aldous Huxley (phoenix7g, meggyweg, Babou_wk, hpfilho)
    Babou_wk: Contre-utopie, société future où l'unique but de la vie est le bonheur. Toute pratique requérant de la réflexion est bannie.
  3. 271
    Slaughterhouse-Five by Kurt Vonnegut (Smiler69)
  4. 294
    The Giver by Lois Lowry (thekoolaidmom)
  5. 252
    The Martian Chronicles by Ray Bradbury (jpers36, moietmoi)
  6. 263
    The Handmaid's Tale by Margaret Atwood (ateolf)
  7. 192
    Match to Flame: The Fictional Paths to Fahrenheit 451 by Ray Bradbury (grizzly.anderson)
    grizzly.anderson: A great study of how Bradbury came to write Fahrenheit 451 as a progress through his own short stories, letters and drafts. A similar collection of stories but without some of the other material is also available as "A Pleasure To Burn"
  8. 164
    A Canticle for Leibowitz by Walter M. Miller Jr. (goodiegoodie, kristenn)
  9. 82
    The October Country by Ray Bradbury (Booksloth)
  10. 105
    Planet of the Apes by Pierre Boulle (allenmichie)
  11. 72
    A Gift Upon the Shore by M. K. Wren (lquilter)
    lquilter: "A Gift Upon the Shore" is a post-apocalyptic world; some people seek to preserve books and knowledge, but they are seen as a danger to others. Beautifully written.
  12. 50
    Something Wicked This Way Comes by Ray Bradbury (Morteana)
  13. 40
    The Fireman by Joe Hill (sturlington)
  14. 62
    The Medium is the Massage: An Inventory of Effects by Marshall McLuhan (bertilak)
  15. 63
    A Universal History of the Destruction of Books: From Ancient Sumer to Modern-day Iraq by Fernando Báez (bertilak)
  16. 53
    Feed by M. T. Anderson (jlynno84)
  17. 75
    Oryx and Crake by Margaret Atwood (andja)
  18. 20
    Too Loud a Solitude by Bohumil Hrabal (edwinbcn)
  19. 10
    Shadowlife by Martin Grzimek (spiphany)
  20. 76
    The Book Thief by Markus Zusak (generalkala)
    generalkala: Also concerns book burning and their rescue.

(see all 29 recommendations)

1950s (1)
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» See also 1394 mentions

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Showing 1-5 of 896 (next | show all)
Re-reading this. ( )
  lschiff | Sep 24, 2023 |
16th
  Vishnu_VM | Sep 24, 2023 |
(3.5 / 5)

I read this book as a sophomore in high school, 22 years ago. I remember it being one of the easier-to-read classics of my 3 years of Honors English. All I really remembered about it, though, is the basic premise of book burning, the parlor screens, and a vague creepy idea of the Mechanical Hound. After reading it again now, I'm actually surprised that I remember it as a "simple" read, due to the writing style and a plethora of metaphors, but it does probably make a difference when you're pushed to analyze it after reading each third. I didn't dissect it for symbolism and analyze every paragraph like I did other classics, though, and I still have the short papers I wrote for assignments about it. It was fun to read those again after reading the book.

As an adult, I see the book differently than I did back then. For one thing, I have come to realize that the book is not about the censorship involved in book burning. The fire captain makes it clear that society turned from books long before it became illegal to own them. Rather, the technology that led them to that point seems to be what is being demonized. I suppose it's a call to make sure we don't let it take over our lives.

Though to be honest, I think there's a mixed message here, because despite the explanation the captain gives, it's also clear that the government doesn't want the people thinking for themselves. Wants them distracted while they're about to go to war--why and with whom, we never know. And due again to the writing style, I am not sure I understand what happened at the very end regarding the war.

I would say a strong theme, which is perhaps more relevant today, is the control the government is able to exert over the people. If the majority of society decides it doesn't care about books, then those people just don't read books. Why does that have to lead to books becoming illegal? The government decides that it needs to regulate the people's "fun" and oppose the potential of anyone offending anyone else at all, and apparently the people let it happen. Especially considering how recently Faber was a professor at a liberal arts school, it's amazing how quickly it must have happened.

One thing that I was absolutely correct about in remembering this book was how creepy the Mechanical Hound is. I actually had some unpleasant dreams the night in between the two days it took me to read the book this week, and the Hound was a highlight. (I don't have specific memories of the dreams, but a general understanding that they were related to the book.) It's seriously disturbing.

In the end, for me, at least, this book doesn't hold up as the classic it's hailed as. It's not a bad story, but I don't know that it's worth studying or holding up as a warning. Between this and Ender's Game, maybe I'm just not a fan of classic sci-fi. ( )
  Kristi_D | Sep 22, 2023 |
I haven't intentionally read and reread the lines in any book as much as I have in this one. Bradbury really haunts me. I've been reading his short story collection recently, and they reach somewhere very deep within you and wring you out. Fahrenheit 451 will always be one of those reads that i keep coming back to, both for revision and references in the time to come. ( )
  breathstealer | Sep 19, 2023 |
7/10 ( )
  Law_Books600 | Sep 19, 2023 |
Showing 1-5 of 896 (next | show all)
Classique parmi les classiques, Fahrenheit 451 est à la SF ce que le Dracula de Stocker est au fantastique. Cette œuvre est une contre-utopie à la mesure du Meilleur des mondes de Huxley ou à 1984 de Orwell. C’est dire…
 
This intriguing idea might well serve as a foundation on which to build a worst of all possible worlds. And to a certain extent it does not seem implausible. Unfortunately, Bradbury goes little further than his basic hypothesis. The rest of the equation is jerry-built.
 

» Add other authors (46 possible)

Author nameRoleType of authorWork?Status
Ray Bradburyprimary authorall editionscalculated
Aguilar, Julia OsunaTranslatorsecondary authorsome editionsconfirmed
Aldiss, Brian W.Forewordsecondary authorsome editionsconfirmed
Algren, NelsonAfterwordsecondary authorsome editionsconfirmed
Amis, KingsleyContributorsecondary authorsome editionsconfirmed
Atwood, MargaretAfterwordsecondary authorsome editionsconfirmed
Škvorecký, JosefTranslatorsecondary authorsome editionsconfirmed
Betjeman, JohnAfterwordsecondary authorsome editionsconfirmed
Bloom, HaroldAfterwordsecondary authorsome editionsconfirmed
Brick, ScottNarratorsecondary authorsome editionsconfirmed
Buddingh', CeesTranslatorsecondary authorsome editionsconfirmed
Chambon, JacquesTranslatorsecondary authorsome editionsconfirmed
Crespo, AlfredoTranslatorsecondary authorsome editionsconfirmed
D'Achille, GinoCover artistsecondary authorsome editionsconfirmed
Diamond, DonnaCover artistsecondary authorsome editionsconfirmed
Eller, Jonathan R.Editorsecondary authorsome editionsconfirmed
Emmerová, JarmilaTranslatorsecondary authorsome editionsconfirmed
Gaiman, NeilIntroductionsecondary authorsome editionsconfirmed
Güttinger, FritzTranslatorsecondary authorsome editionsconfirmed
Highet, GilbertAfterwordsecondary authorsome editionsconfirmed
Hoye, StephenNarratorsecondary authorsome editionsconfirmed
Hurt, ChristopherNarratorsecondary authorsome editionsconfirmed
Kayalıoğlu, KorkutTranslatorsecondary authorsome editionsconfirmed
Kayalıoğlu, ZerrinTranslatorsecondary authorsome editionsconfirmed
Keyser, GawieForewordsecondary authorsome editionsconfirmed
Knight, ArthurAfterwordsecondary authorsome editionsconfirmed
Knipel, CidTranslatorsecondary authorsome editionsconfirmed
Lippi, GiuseppeTraduttoresecondary authorsome editionsconfirmed
Mitchell, AdrianAfterwordsecondary authorsome editionsconfirmed
Monicelli, GiorgioTranslatorsecondary authorsome editionsconfirmed
Moorcock, MichaelIntroductionsecondary authorsome editionsconfirmed
Mugnaini, Joseph A.Cover artistsecondary authorsome editionsconfirmed
Nordin, SivTranslatorsecondary authorsome editionsconfirmed
Owen, MattCover designersecondary authorsome editionsconfirmed
Parry, IdrisAfterwordsecondary authorsome editionsconfirmed
Pennington, BruceCover artistsecondary authorsome editionsconfirmed
Pepper, BobCover artistsecondary authorsome editionsconfirmed
Prescott, OrvilleAfterwordsecondary authorsome editionsconfirmed
Prichard, MichaelNarratorsecondary authorsome editionsconfirmed
Robbins, TimNarratorsecondary authorsome editionsconfirmed
Robbins, TimNarratorsecondary authorsome editionsconfirmed
Robillot, HenriTranslatorsecondary authorsome editionsconfirmed
Singer, NancyDesignersecondary authorsome editionsconfirmed
Stangl, KatrinIllustratorsecondary authorsome editionsconfirmed
Truffaut, FrançoisAfterwordsecondary authorsome editionsconfirmed
Veikat, MarjuToimetaja.secondary authorsome editionsconfirmed
Weber, SamIllustratorsecondary authorsome editionsconfirmed
أحمد خالد توفيقTranslatorsecondary authorsome editionsconfirmed

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Epigraph
"If they give you ruled paper,
write the other way."
Juan Ramón Jiménez
FAHRENHEIT 451:
the temperature at which
book-paper catches fire and burns
Dedication
This one, with gratitude,
is for
Don Congdon
First words
It was a pleasure to burn.
Quotations
It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away.
But that's the wonderful things about man; he never gets so discouraged or disgusted that he gives up doing it all over again, because he knows very well it is important and worth the doing.
But remember that the Captain belongs to the most dangerous enemy of truth and freedom, the solid unmoving cattle of the majority. Oh, God, the terrible tyranny of the majority.
I'm afraid of children my own age. they kill each other. Did it always use to be that way? My uncle says no. Six of my firends have been shot in the last year alone. Ten of them died in car wrecks. I'm afraid of them and they don't like me because I'm afraid. My uncle says his grandfather remembered when children didn't kill each other. But that was a long time ago when they had things different. They believed in responsibility, my uncle says. Do you know, I'm responsible. I was spanked when I needed it, years ago. And I do all the shopping and housecleaning by hand.
The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it's not books at all you're looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us. Of course you couldn't know this, of course you still can't understand what I mean when I say all this.
Last words
Disambiguation notice
This is the original novel by Ray Bradbury, not the 1966 film directed by François Truffaut or any other adaptation.
There are at least 2 works by this name: the novel by Ray Bradbury and its film adaptation. Please do not combine this with either.
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Fiction. Science Fiction & Fantasy. HTML:

The system was simple. Everyone understood it. Books were for burning, along with the houses in which they were hidden.

Guy Montag was a fireman whose job it was to start fires. And he enjoyed his job. He had been a fireman for ten years, and he had never questioned the pleasure of the midnight runs or the joy of watching pages consumed by flames, never questioned anything until he met a seventeen-year-old girl who told him of a past when people were not afraid. Then Guy met a professor who told him of a future in which people could think. And Guy Montag suddenly realized what he had to do.

.

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Book description
"The system was simple. Everyone understood it. Books were for burning... along with the houses in which they were hidden." Fahrenheit 451 is an enlightening story that is almost daunting. In a place where firemen build fires to burn books, this story is somewhat forboding because although it may seem extreme, it causes the reader to look at how much we take books and freedom for granted. Guy Montag goes outside the norm of a society where relationships are based on material things in order to try to discover how life would be if one were to actually think and live for themselves instead of being told what to do and how to behave.

AR level 5.2, 7 pts
Haiku summary
A fireman burns books
But then he dares to read one
And goes on the lam
(DarrylLundy)

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