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The Birth of Merlin or the Child Hath Found His Father

by William Rowley

Other authors: Denise Coffey (Contributor), Roy Hu (Contributor), Robert John Stewart (Contributor)

Other authors: See the other authors section.

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Credited on its first title page to William Shakespeare and William Rowley, The Birth of Merlin continues to provoke speculation about its place in the Shakespeare 'Apocrypha'. The play is an imaginative re-working of the story of Merlin the Magician and his part in the struggle against the Saxon invasion of Britain. It contains not only scenes of love, war, and court politics, but a devil, a clown, and an unusual number of spectacular stage effects. This edition seeks to provide contexts for the play's diverse elements (chronicle history, romance, spectacle, and comedy), and considers its relationships with a wide variety of texts from Geoffrey of Monmouth and the English prose Brut to Shakespeare's Henry VIII.… (more)
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Author nameRoleType of authorWork?Status
Rowley, Williamprimary authorall editionsconfirmed
Coffey, DeniseContributorsecondary authorall editionsconfirmed
Hu, RoyContributorsecondary authorall editionsconfirmed
Stewart, Robert JohnContributorsecondary authorall editionsconfirmed
Shakespeare, WilliamAttributed authorsecondary authorsome editionsconfirmed
Urdall, JoannaEditorsecondary authorsome editionsconfirmed
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Although most editions of this play credit William Shakespeare on the title page, it is in fact by William Rowley (ob. 1626) as shown by the 1622 entry in Sir Henry Herbert's office-book (isbn 0198122462, page 136). The coupling of Shakespeare's name with Rowley's on the title page of the first edition (1662), based on a late and often inaccurate bookseller's catalogue is probably a ploy to help sales.
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Credited on its first title page to William Shakespeare and William Rowley, The Birth of Merlin continues to provoke speculation about its place in the Shakespeare 'Apocrypha'. The play is an imaginative re-working of the story of Merlin the Magician and his part in the struggle against the Saxon invasion of Britain. It contains not only scenes of love, war, and court politics, but a devil, a clown, and an unusual number of spectacular stage effects. This edition seeks to provide contexts for the play's diverse elements (chronicle history, romance, spectacle, and comedy), and considers its relationships with a wide variety of texts from Geoffrey of Monmouth and the English prose Brut to Shakespeare's Henry VIII.

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