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The Countess of Pembroke's Arcadia (1590)

by Philip Sidney

Other authors: See the other authors section.

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3181077,914 (3.5)17
Basilus, a foolish old duke, consults an oracle as he imperiously wishes to know the future, but he is less than pleased with what he learns. To escape the oracle's horrific prophecies about his family and kingdom he withdraws into pastoral retreat with his wife and two daughters. When a pair of wandering princes fall in love with the princesses and adopt disguises to gain access to them, all manner of complications, both comic and serious, ensue. Part-pastoral romance, part-heroic epic, Sidney's long narrative work was hugely popular for centuries after its first publication in 1593, inspiring two sequels and countless imitations, and contributing greatly to the development of the novel.… (more)
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» See also 17 mentions

Showing 1-5 of 10 (next | show all)
I've been looking forward to reading this work for years after dropping it once due to the complexity of the prose that made it too challenging for good old me. Ironically I am dropping it once again because I found the text subpar in terms of content and style, and after reading a variety of works written by pastoral authors I can assert that this novel is nothing more than a product of the Elizabethan society under the guise of a bucolic romance, a wannabe Sannazaro's Arcadia loaded with petty moralism and anecdotes about virtue and sin all too divorced from the real intent of the pastoral genre. Despite the impressive length of his work, Sidney drops the facade quite early in the novel and has no qualms about slapping 17th century quirks and literary tropes in his romance, which leaves us with a disappointing pseudo-historical Renaissance soap opera where respecting the importance of historical accuracy doesn't even cross the mind of the author. If this novel was written solely for entertainment purposes, it failed to deliver even that. ( )
1 vote Vertumnus | Jun 20, 2022 |
Reprint with portions of the introduction removed ( )
  ME_Dictionary | Mar 19, 2020 |
Reprint with portions of the introduction removed ( )
  ME_Dictionary | Mar 19, 2020 |
Includes, with separate title page: A sixth book of the Countess of Pembroke's Arcadia / written by R. B. of Lincoln's Inn Esquire. -- London : George Calvert, 1674. Includes Defence of Poesie, Sonnets, Astrophel and Stella, and A supplement to the third book of Arcadia, etc. ( )
  ME_Dictionary | Mar 19, 2020 |
Facs. reprint of the photographic facsimile pub. in 1891 by Kegan Paul, Trench, Trubner, & Co. (ed. H. Oskar Sommer) of the 1590 edition. ( )
  ME_Dictionary | Mar 19, 2020 |
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» Add other authors (24 possible)

Author nameRoleType of authorWork?Status
Philip Sidneyprimary authorall editionscalculated
Duncan-Jones, KatherineEditorsecondary authorsome editionsconfirmed
Evans, MauriceEditorsecondary authorsome editionsconfirmed
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Sidney wrote The Arcadia twice. Some years after he finished the original version he began a thorough re-writing, in some places altering plot and characters, but died before he could finish it. Since the revised version is generally regarded as an improvement, that's the version usually published (sometimes with the last few books of the original version appended to "complete" it). However, the so-called "Old Arcadia" is sometimes published by itself (for instance in the Oxford World Classics edtions with the isbns 019283956X, 0199549842, 0198118554 and 019281690X; the Cambridge edition isbn 0521064716; or in volume four of Feuillerat's Complete Prose Works of Sidney). The Old Arcadia is essentially a different "work" and (where identifiable) should not be combined with the main Arcadia work.
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Basilus, a foolish old duke, consults an oracle as he imperiously wishes to know the future, but he is less than pleased with what he learns. To escape the oracle's horrific prophecies about his family and kingdom he withdraws into pastoral retreat with his wife and two daughters. When a pair of wandering princes fall in love with the princesses and adopt disguises to gain access to them, all manner of complications, both comic and serious, ensue. Part-pastoral romance, part-heroic epic, Sidney's long narrative work was hugely popular for centuries after its first publication in 1593, inspiring two sequels and countless imitations, and contributing greatly to the development of the novel.

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